**1.
Introduction**

The so-called * Golden
Section* refers to the division of a line such that
the whole is to the greater part as that part is to the smaller
part - a proportion which is considered to be particularly
pleasing to the eye. Here is a depiction of the principle:

whence we have
the related * Golden Ratio*, (a + b)/a =
a/b, usually represented by the lower case Greek letter 'phi' (

This equation has as its unique positive solution the irrational number

*(1 +** **) / 2 =
1.6180339...***
***= ***f ***-------------- *(i)

We read in the *Wikipedia*
entry under this heading, "At least since the Renaissance,
many artists and architects have proportioned their works to
approximate the golden ratio - especially in the form of the * Golden
Rectangle*, in which the ratio of the longer side to
the shorter is the golden ratio...Mathematicians have studied the
golden ratio because of its interesting properties."

Observe that the
rectangle generated by removing a square from the original figure
is similar to it, i.e. its sides too are in the ratio 1:* f*, and we may therefore write

**f **^{2 }= * f *+
1 --------------------------- (ii)

and

1/* f *=

As has been
demonstrated in earlier pages (details here), the three prominent universal constants **p**, e and **a** are implied by the Hebrew letters and
words of Genesis 1:1 and its Greek cognate, John 1:1. Here, it is
proposed to add **f **to this list. However, before that
becomes possible, it is necessary that we establish clear
links between **f**** **and certain
trigonometric ratios - this, in turn, requiring an appeal to
simple principles of geometry.

**2. A
geometric derivation of the golden ratio**

The following
diagrams depict a regular pentagon - i.e. one whose vertices lie
on a circle and whose sides and diagonals form isosceles
triangles. Observe that each number represented is an angle
expressed * in degree measure*.

Since each exterior angle of the pentagon is 360/5, or 72, it follows that each interior angle is (180 - 72), or 108 [see inset at (a)]. At (b), O represents the centre of the circumscribed circle. Angle DAC is half the angle subtended at the centre - its value is therefore 36. The remaining angles are readily calculated - significantly, all are multiples of 18.

In the following
developments, each of the coloured triangles is observed to be * isosceles*,
and the green and blue triangles,

EB/BA = BA/QB, whence

BA

^{2}= EB.QB= (EQ + QB).QB = (AE + QB).QB

= (BA + QB).QB

It therefore follows that

BA/QB = (BA + QB)/BA = 1 + QB/BA

and, setting the ratio BA/QB = x, we have

x = 1 + 1/x, or x

^{2}= x + 1

whence,

x = (1 + ) / 2 = 1.618034...
=** ****f****, **the GOLDEN RATIO ---------------- (iv)

If the perpendicular, QR, now be dropped from Q onto AB (as in the diagram below), it follows that

BR/QB = f/2 = cos 36 = sin 54 -------------- (v)

Because the
trigonometric functions are * periodic*,
these results extend to limitless sequences of angles - as the
following diagrams make clear.

The outline of a
typical sine curve is here represented by a series of points, **q **being a multiple of 3. Observe that the
graduations on the axes refer to **q** a multiple of
18. Clearly, sin 54 = sin 126 = -sin 234...= -sin 594 = -sin 666
=...

The corresponding cosine curve above similarly reveals cos 36 = -cos 144 = -cos 216 = cos 324 =...

Combining these observations therefore enables us to write

sin 666 + cos 216
= -**f**

whence,

**f **= -
[sin (666) + cos (6.6.6)] ------------- (vi)

And what of 18, i.e. (6+6+6)? The following analysis shows that this angle too has a place in these proceedings. Here is the geometrical basis of the matter:

In triangle ANQ, sin 18 = NQ/QA = NQ/QB [triangle QBA isosceles] ----------------- (vii)

In triangle NBA,
NB/BA = cos 36 = **f**/2 [from (v)], and

in triangle QBR,
BR/QB = BA/(2.QB) = sin 54 = **f**/2 [from (v)]

Hence, NB = BA.**f**/2 and QB = BA/**f**

Clearly,
therefore, NQ = NB - QB = BA.(**f**/2**
**- 1/**f**) = BA.(**f**^{2 }- 2)/(2.**f**) and it follows from (vii) that

sin 18 = BA.(**f**^{2}- 2)/2.**f**) / (BA/**f**)

= (**f**^{2 }- 2)/2 = 1/(2.**f**) [since, from (ii) and (iii), **f**^{2 }= **f **+ 1, and **f
**- 1 = 1/**f**]

Whence,

**f**** **= cosec(18)/2 = cosec (6+6+6)/2 ---------------- (viii)

[Observe that each of the
foregoing results - linking the golden section (* f) *with trigonometrical functions of particular angles -
may be readly confirmed if one has access to a scientific
electronic calculator.]

**3. The
triples of sixes spanning the Judeo-Christian Scriptures**

Attention is here drawn to just two significant instances of the relationships involving 666, 6.6.6 and 6+6+6.

(1) In the Book of Revelation, 666 is offered as a key to the gift of wisdom (Rev.13:18). A detailed consideration of this visually-arresting number reveals it to be not only

, but uniquely so; this because each of its numerical attributes is triangular - and, further, that the sum of these is 216, or 6.6.6. Here is a reminder of these details:triangular

Observe that the

radix-dependentattributes contribute 72, and theabsoluteattributes 144, to the combined total of 216 - and that 666, 72 and 144, are multiples of 18.But note too the triangular representations of 6 and 10 that occur at each of the three vertices of the larger triangles - where the angle in degree measure is 60, or 6.10. Clearly, this is a feature common to all numerical triangles.

(2) As we have seen in earlier pages on this site, a geometrical view of the numerics of Genesis 1:1 - the Bible's first verse - reveals a symmetrical structure in which 666-as-triangle features, in triplicate, within a triangular outline of 216, or 6.6.6 - i.e. the 6th cube. These facts are recalled in the diagram below.

At (a), we have the composite structure of 2701 - the sum of the 7 Hebrew words of the Bible's first verse, fairly read as numbers. The first 5 of these total 1998, or 3.666 (represented by the purple triangles); the last 2 (translated "and the earth.") total 703 (represented by the green central triangle). At (b), the outline triangle (rendered white) comprises 216, or 6.6.6, counters.

4. ConclusionThe foregoing analysis makes it abundantly clear that this universal constant,

f-whose history stretches far back into antiquity, and which, for a variety of reasons, has long fascinated man - has substantial links with the Judeo-Christian Scriptures. Against the backcloth of thep, e andaconnections drawn from the same sources, it is hard to believe that such matters are fortuitous. Everything points to the fact that these texts are divinely authored, and contain far more information than has, formerly, been supposed.Vernon Jenkins MSc

2008/09/01

2009/11/25 - corrected and extended